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Blinds8 min read

Modern blinds: styles and colours that look current

What makes blinds look modern: concealed hardware, matte fabric, restrained colour and a tidy fit, with ideas for rollers, venetians, sliding doors and black blinds.

Modern blinds: two linked roller blinds side by side across a wide living room window, lowered to the same height

Modern blinds share a few traits: clean lines, hardware you barely notice, matte or textured fabric and a calm, restrained colour. In practice that means roller blinds with a fascia or cassette, slim venetians in white or a deep neutral, panel glide or linked blinds across wide glass, and sheers or curtains layered over the top.

In short

  • Modern is mostly about fewer visible parts: matched hardware colours, a flat base rail, a fascia or cassette, and no chain.
  • Roller blinds in matte or softly textured fabric are the easiest modern look. Linked blinds make a wide window read as one.
  • Aluminium venetians in white, Ebony or Sterling look crisp, and timber or fauxwood venetians add warmth.
  • For sliding glass doors, panel glide, vertical blinds in matte fabric and linked rollers all look current.
  • Black and charcoal blinds work well. Check the backing and compare a sample in your own light.

What makes blinds look modern

A modern blind is not a particular product. It is a handful of decisions that add up.

Detail What to choose
Hardware Brackets, chain and base rail in a colour that matches the fabric or the frame, so the parts recede
Top of the blind A fascia or a cassette to hide the roll and brackets
Control Cordless or motorised, so no chain hangs beside the window
Fabric Matte or softly textured, not glossy
Colour One restrained family across the house, such as white, grey, greige or a deep charcoal
Fit Even, planned and consistent from window to window, with the same roll direction throughout

Our guide to choosing blind colours goes further on colour.

Modern roller blinds

Roller blinds are the simplest way to get a clean look, because the shape is a plain rectangle.

  • Fabric. Shade is matte, and Lakeside has a texture inspired by exposed bedrock. Both give a quiet surface, and Lakeside "Sandstone" is a good example of a neutral that does not look flat.
  • Base rail. The flat base rail has a straight, rectangular profile, which many people find cleaner than the oval rail. The oval rail comes in Anodised, White, Black and Cream.
  • Hardware colour. Bracket colours include white, grey, ivory, latte and black, and chain colours include white, beige, grey and black as well as metal and stainless steel. Matching them to the fabric or the window frame makes the hardware disappear.
  • A hidden roll. A decorative fascia conceals the roll and brackets for a finished top edge. A Full Blockout Cassette goes further, enclosing the roll with a headbox and side channels, and it can only be ordered with a compatible under-roll blockout blind. See cassette roller blinds. A front roll also hides the roll behind the fabric.
  • No chain. ZeroGravity cordless and motorised blinds remove the chain, which tidies the side of the window.

How you finish the top of a roller blind changes the look more than most people expect:

Top finish Look Things to know
Bare roll, recess fit Neat and discreet, with the roll in the recess Small light gaps remain beside the fabric
Decorative fascia One clean horizontal line across the top Face fit, ordered with the blind, and not a cassette
Full Blockout Cassette A slim enclosed box with side channels Needs 50 mm clear depth and cannot be retrofitted

On a wide window, linked roller blinds share brackets, so the join gap is about 17 mm instead of 30 mm or more for blinds butted side by side. The window reads as one wide blind. Our linked roller blinds guide explains how to plan it.

Modern venetian blinds

Venetians have a reputation for looking dated, but a plain, well-chosen venetian is a modern classic.

  • Aluminium venetians suit a crisp, slim look. Sample colours include Cool White, Brilliant White, Warm Pure Silk, Ebony and Sterling. White blends with the frame, while Ebony makes a deliberate graphic line.
  • Timber and fauxwood venetians bring warmth. Fauxwood is the timber look in a faux wood slat, and it suits kitchens and bathrooms.
  • Keep it tidy. Tilt the slats evenly, keep the colour consistent with the frame and trim, and choose a fit that suits the window.
Aluminium venetian blind in Ebony with slats tilted partly open in a home office window
A slim aluminium venetian in Ebony gives a crisp, modern line.

You can see the options on the aluminium venetian blinds and timber venetian blinds pages.

Modern blinds for sliding glass doors

A large sliding door asks for a covering that clears the path and keeps a calm, even line across the glass.

  • Panel glide blinds. Broad fabric panels slide across the opening on a track, which gives a sliding door an architectural look. Any roller blind fabric can be used, and a flat base rail in White, Black or Silver is available at no extra charge. See panel glide blinds.
  • Vertical blinds in matte fabric. Vertical blinds are not outdated when the fabric and colour are right. Lakeside and Shade are the fabrics available. Our guide to modern vertical blinds shows what to look for.
  • Linked roller blinds. Two or three blinds on shared brackets cover a wide door as one considered arrangement.
Panel glide blind in Shade Storm covering a wide sliding glass door with the panels partly stacked
Panel glide blinds give a wide sliding door a calm, architectural line.

The blinds for sliding doors page compares all three.

Are black blinds a good idea?

They can be. Black and charcoal give a window a strong, deliberate line, and black brackets, chain and base rail can disappear into the fabric. Array "Jet", Elegance "Obsidian", Serene II "Charcoal" and Screen "Charcoal" are examples of deep tones in our ranges.

A few points decide whether black works for your room:

  1. Check the backing. A dark face with a light reverse reads differently from outside. Serene II and Lakeside have a colour-coordinated backing, and Shade is the same colour on both sides. Array, Elegance, Serene, Ultra, Allure and Opulence have a white backing.
  2. Compare samples. Blacks and charcoals vary between warm and cool. Look at each sample in daylight and again under the lights you use at night.
  3. Think about night privacy. Screen fabric is a daytime fabric in any colour, so a charcoal Screen will not give night privacy. Choose a blockout for that.
  4. Dust. Dark fabric shows dust more readily. Dust roller fabric with a soft cloth, or wipe with a damp sponge and dry it.

The black blinds and curtains page lists every dark sample you can order.

Colours that look current

Current colours are quiet and layered, not loud. These examples come straight from our ranges, and the colour pages show them together.

  • Light and airy. Shade "Ice", Ultra "Cool White", Allure "Snow" and Cassis Volume "Snow" in a sheer.
  • Warm neutral. Shade "Biscuiti", Ultra "Cream", Allure "Griege" and Cassis "Linen".
  • Soft grey. Ultra "Ash Grey", Array "Moon Grey" and "Platinum", and Screen "White Grey".
  • Deep and bold. Array "Jet", Elegance "Obsidian", Serene II "Charcoal" and Bali "Black".

Pick one family and repeat it, then change texture or heading rather than colour from room to room.

Modern window coverings: layering

Many current rooms combine a blind with a softer layer.

  • Sheers over a blind. A roller blind handles light and privacy, and sheer curtains add softness. Bali "Snow" and Cassis Volume "Pearl" are quiet, light-toned choices. See sheer curtains.
  • Double rollers. A daylight layer and a blockout layer on one set of brackets give day and night control with no visible second blind.

Tip: Look at your samples against the wall and the window frame, not on their own. A good modern result comes from the combination of fabric, hardware and trim, and a free sample shows all three at once.

How to choose

  1. Start with the job. Bedrooms need blockout, wet areas suit PVC shutters, fauxwood or aluminium venetians, or roller blinds that will not get drenched, and large glass needs a wide-opening product.
  2. Choose the fit. A face fit with a fascia gives the tidiest top edge. A recess fit is neat but shows small side gaps.
  3. Pick the control. Cordless or motorised removes the chain.
  4. Match the hardware. Choose bracket, chain and base rail colours to blend with the fabric or the frame.
  5. Sample first. Order free samples and compare them in daylight and at night.

Questions

What makes blinds look modern?

Clean lines, hardware you barely see, matte or textured fabric and a restrained colour. A fascia or cassette, hardware in a matching colour and no chain all help.

Are black blinds a good idea?

Yes, if you choose with care. Black and charcoal give a strong line at the window. Check the backing, because some ranges show a white reverse from outside, and compare a sample in daylight and at night.

What are the best modern blinds for a sliding glass door?

Panel glide blinds, vertical blinds in a matte fabric and linked roller blinds suit sliding doors. Choose the one that clears the door's path and the way you walk through.

Are venetian blinds still modern?

Yes. Aluminium venetians in white, Ebony or Sterling look crisp, and timber or fauxwood venetians add warmth. Keep the colour consistent with the window frame and trim.

Are roller blinds modern?

Yes. A roller blind with a flat base rail, matched hardware and a matte fabric is one of the cleanest looks. A fascia or cassette hides the roll, and a cordless or motorised control removes the chain.

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